|
|
The Blakely Burl Tree Project: The
Story
The Blakely Burl Tree Project:
From The Ground Up
by Terry Martin |
Studying The Tree
On Monday the perfect weather continues and we are all on site before sunrise to
catch the early light for the cameras. Mark explains: “The hour after sunrise
and the hour before sunset is when you find the "glory light".
The "glory light" fills the Blakely Burl Tree site.
Photo:
Mark Lindquist
Mark Lindquist (center) with the film crew and Terry Martin, waiting for the
morning light.
Photo: John McFadden
Producer Ken Browne (left) and Cinematographer Gregory Andracke, in the early
morning, waiting for the "glory light". Photo:
John McFadden
Mark looks up at
the light-dappled surface of the tree. “This light is as good as I’ve ever
seen.” The filming of the entire tree has to be finished this morning as a local
contractor will soon arrive to take down the limbs.
Morning light coming in on the Blakely Burl Tree
Photo: John McFadden
Cinematographer Greg Andracke filming the Blakely Burl Tree in "the glory
light" Photo: John McFadden
Although most of our
interest is focused on the burl-covered trunk, there is a lot of wood in the
branches and they will be carefully cut and stored on pallets.
Mark and Gary quickly ride the Zoom Boom up among the branches, getting as close
as possible to every branch and fork to decide how the best cuts can be made.
Mark Lindquist and Gary Stevens in "Zoom Boom"
Photo:
Terry Martin
Lindquist and Stevens up close with the tree. Photo: John McFadden
Aerial view of the Blakely Burl Tree site.
Photo:
Mark Lindquist
It
is the first chance to look closely at the branches, checking for faults and
hollows, as well as to identify the prime wood. They huddle above the rest of us
in intense conversation, pushing as close as they can to every part of the tree.
Earlier Mark had told me why they are getting such an early start: “We had such
a great day yesterday looking at the tree, but today we need to get up close
with the Zoom Boom. Gary and I both know a lot about trees and about burls. We
speak the same language and we pool our knowledge.”
Gary Stevens (left) and Mark Lindquist, discussing Burl tree
Photo:
Terry Martin
While most of us are looking up at the Zoom Boom, one of the local crew sidles
up beside me and asks in a quiet voice, “Hey, I heard that tree is worth half a
million. Is that right?” I try to explain that it is hard to put an actual value
on the tree, but it would be nothing like that. “Yeah, right,” he says.
Mark and Gary descend from the Zoom Boom, then start scrambling around in the
mud at the base of the tree, probing and banging on the sides. Mark emerges from
the ditch, wiping his hands: “Well, we agree that there probably isn’t a big
taproot. That’s important because if there is, it’s going to be much harder to
get it out of the ground.” “Yeah, we agree on that,” says Gary, “but we don’t
agree on whether the tree is solid or not. I think it might be hollow, but Mark
doesn’t. Let’s hope he’s right.”
The two of them are joined by Greg in the Zoom Boom and with Mark directing he
films the foliage and bark of the tree as they are brought into sharp relief by
the slanting light. The rest of us stand below, craning our necks up at the
small group perched on the end of the long arm as it lurches, mantis-like,
across the ground. Mark’s voice floats down to us: “A little more to the left…a
little more…that’s it! See that Greg? That’s what we want.”
Greg Andracke (left) Filming, Mark Lindquist directing.
Photo: John McFadden
Greg Andracke filming Blakely Burl Tree
Photo: Mark Lindquist
Mark’s intensity mounts. Down on the ground he urges Greg and Ken to get as much
footage as they can, all the time pointing, guiding and suggesting. John is busy
catching those last-chance images of the standing tree. I overhear snatches of
gleeful conversation between John and Mark as they both photograph the tree
under the changing light of the rising sun. “Look at that!…Oh boy!...Isn’t that
great light?”
(Left to right) John McFadden, Mark Lindquist, Greg Andracke shooting in the
"glory light" on-site, Blakely Burl Tree Project.
Photo:
Terry Martin
When Mark is satisfied that we have made the most of the early light, we all
take the short walk to the Funny Girl restaurant on the town square. Stanley has
arranged for the owner Heather to look after us during our time in Blakely and
this morning’s breakfast is proof that she has enormous pride in her work. Every
day we are delighted by her new offerings and her bustling good humor.
When we all walk back to the burl tree, cars are already cruising by, drivers
slowing to take in the scene, heads swiveling as they pass. Others walk by,
politely keeping back, but obviously curious about what is happening. I enjoy
listening in to their conversations and a common topic is the value of the tree:
“You know, I heard that tree is worth $500,000.”
“I dunno, I heard it’s more like $750,000.”
Mid-morning a man approaches us and introduces himself as a local high school
teacher who teaches forestry, and he asks if he can bring his class down to
watch. When the large group of students arrives they politely line up, full of
that energy that comes from an excuse to get out of class, but also full of
curiosity about what we are doing. Mark explains the project to them and they
rush him with questions. It’s a good moment because if the project goes as
planned it should have more significance for these young people than anybody
else there. The teacher tells them it’s time to go, but one young man puts up
his hand. “Is it true,” he asks, "that the tree is worth a million dollars?”
Mark Lindquist (right) discusses Blakely Burl Tree Project with high school
students.
Photo: John McFadden
Work is briefly suspended while Charles’ grandson Stephen Braxton Wall II,
age 12, is given a ride up in
the Zoom Boom.
Gary Stevens (right) outfits Stephen Wall with a harness.
Photo: John McFadden
He shows a lot of the brightness and curiosity that Charles must
have had at that age, and because he is so quick and so polite, nobody minds
taking time for him to have this once-in-a-lifetime experience. The wide-eyed
glee on his face is enough thanks.
Stephen Braxton Wall II, age 12, (grandson of Charles B. Rice, Sr) takes a
ride in the Zoom Boom
Photo: John McFadden
Barton and his son Nicholas Barton Rice, age 6, also take a quick
ride, but then time runs out and we all clear the way for an important moment.
Barton Rice and his son Nicholas Barton Rice, in the "zoom boom".
Photo: John McFaddden
Charles and his family gather with Mark and Stanley, facing the tree and the
place where the old J. B. Rice shop stood, and local pastor Fred Daniels offers
an emotional benediction and speaks of all that the tree symbolizes.
Prayer of thanks, led by Pastor Fred Daniels (2nd from left).
Photo: John McFadden
Charles is
clearly moved and he reaches out for his wife’s hand. Later I ask him about it:
“I was very emotional,” he says. “It was like a time warp and a thousand images
flashed through my mind. So much emotion and so much history…..and such a
beautiful prayer and dedication.”
Charles B. Rice, Sr., (center) shaking hands with Pastor Fred Daniels.
Photo: John McFadden
|
|