Mark Lindquist History

THE BLAKELY BURL TREE PROJECT   STORY

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INTRODUCTION
 
THE STORY

 

Birth of Project

THE HARVEST
To Blakely
Team Blakely
Building Bridges
Welcome
Knowing Blakely
Studying Tree
Show Begins
Digging Deep
Main Event
Tree Character

THE SAWMILL
Super Ax
Reflections
 Film Perspective
Understanding
Trust Vision
Last Day

THE STUDIO
Lindquist's
Working
Studio Life
Winding Down
30K View
 
 
 
THE TREE
 
THE ARTWORK
 
NEWS
 
TEAM
FILM
SAWMILL
LOCATION
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RICE FOUNDATION
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The Blakely Burl Tree Project: The Story


The Blakely Burl Tree Project:
From The Ground Up


by Terry Martin


THE TEAM ASSEMBLES IN BLAKELY

Soon we arrive at Blakely, the county seat of Early County and the focus of the project that has bought us from far and away. The town has about 5500 citizens, but my impression is of a much smaller town as we drive through sparse housing. Soon we pull into the central square, which Powell had described:
 

The courthouse square, or the Square, as it was commonly called, consisted of four acres, which means that there was about four hundred feet of frontage on each side of it. The courthouse stood in the center, and along the sides of the Square were stores, offices, hotels, livery stables, and dwellings.


Satellite photo
of Blakely Courthouse Square (Google maps)

My first impression is that not much has changed. The grand courthouse, built in 1904, has been beautifully restored and could grace a much larger city. However, as we drive around the Square it soon becomes clear that the community Powell described has taken some hard knocks over recent years. Some businesses seem to be doing well, but there are empty store windows and down the side streets I glimpse derelict buildings. It is a first hint of why Charles Rice was so sad about the decline of his hometown.

Early County Courthouse, 2009 
Photo: John McFadden


Courthouse from elevated view at Blakely Burl Tree site  Photo: Mark Lindquist
 
We peel off from the town square and a short block away find a vacant lot where a tall, distinguished man stands beside a car waiting for us. ďGood morning, Iím Jim Murkeson," he says, ďand Iím the Sheriff around here. Iíve come down to make sure everything is OK.Ē Itís a good start. Later I learn that Jim has been Sheriff for 25 years. He is a man deeply committed to his community and a thoroughgoing gentleman.
 
Soon we are joined by Stanley Houston, Charlesí lifetime friend and self-proclaimed ďbird dogĒ for the Early County project. Even though he has his own business, it soon becomes apparent that Stanley is the man to ask if you want anything done. Heís always there when you need him and his never-failing courtesy is confirmation for me that what Iíve heard about southern folk is true. They really do believe in good manners.

(From Left to right) Sherrif Murkeson, Chris Smith, Stanley Houston,
Mark Lindquist, Terry Martin 
Photo: John McFadden


Others start arriving and in no time the large slab of concrete where the J. B. Rice Plumbing & Electrical Co. used to be is filled with people introducing themselves, all taking advantage of a lull in the rain. Mark is making sure everybody meets everybody and he introduces us to Chris Smith, another key member of the harvest team. He is a fine furniture maker from Florida, a quiet, unassuming man, but he will prove to be a tireless worker and he brings a lifetime of expertise to the project. Local contractor Jim Carver is also there with his team of workers. People are really eager to start work and the energy level is high.

I notice one man quietly standing back and Mark takes me across to meet him. ďIím Steve Cross,Ē he says with a broad smile, ďNice to meet you.Ē We shake hands and Iíve been introduced to one of the most colorful characters Iíve ever met in my life. I believe it's impossible to render Steve Cross's speech in writing, but when he says, "Nice to meet you," it takes three times as long as the average speaker to finish the sentence. Each vowel rolls along, up and down, exploring every possible nuance of tone and color. I find it soothing music.

Steve Cross (left), meeting Terry Martin 
Photo: John McFadden

While everyone completes the introductions my eye is drawn to the tree standing in the background. I recognize it from photographs and wander over for a closer look. It slightly leans across the Big Ditch and is flattish on one side where it had flanked the building that used to be there. When I lean over the edge of the Ditch I can see that there is a lot more of the tree out of easy view. Soon we will discover that there is a lot of wood down there.

The film crew, Director Ken Brown and cinematographer Greg Andracke, arrive in their rental van after flying into Atlanta from New York. Some of us know Ken already from an exhibition project the previous year in Chicago. He is an Emmy award winning producer/director with a string of impressive credits. It is the first time we have met Greg. We are all curious to meet this tough-looking man who has a reputation for filming in hotspots around the world for major television productions. In fact he is fresh from Afghanistan, something that will provide us with many interesting mealtime stories. Greg is an Oscar-winning documentary maker and we soon learn that many films we know well were shot by him.

(left to right) Gary Stevens, Greg Andracke, Ken Browne, Terry Martin
meeting for first time in Blakely on site of BBTP 
Photo:
Mark Lindquist

Mark already prepared a plan for the site and he is pleased to see that, courtesy of Stanley and his local team, power, water and waste disposal have been laid on. Also, the Big Ditch has been dammed to keep the base of the tree free of water. Across the road there is a large old metal Quonset hut where the heavy equipment has been stored. Once we are sure where everything is, Gary maneuvers the motor home onto the site and as the rain returns, we all take a collective breath. The work begins.

Temporary by-pass dam in "Big Ditch"  
Photo: Mark Lindquist

Introduction | The Story | The Tree | The Artwork | Team | NewsFilm | Sawmill | Location | Rice Foundation
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